Chapman Stick And Mobius Megatar — How To Record For Best Sound
Today we will talk about how Mobius Megatar and Chapman Stick touchstyle guitars are played, for the reason that this determines how you go about recording for best sound. We will then discuss your effects and your sound chain, so as to best capture the sound you want. Finally we’ll talk about how to select the most appropriate mic for capture the desired sound of the Chapman Stick or Mobius Megatar, and how to record for clarity and beauty.
The Stick was developed in the 1970’s, and over the years it has grown increasingly widespread, specifically because the touchstyle technique of making music for which it is designed is an exceedingly productive and enjoyable way to produce music. The Megatar is a later-developed development, and has quite a few design improvements, which many guitar players feel enhances the sound and playability. But both instruments are exceptionally popular, provide outstanding good sound, and are fun to play.
The technique of play is basically straightforward. The instruments are constructed with an unusually low action, and no strumming or plucking is necessary. Rather, you can just touch the string to a fret and that will initiate a note. Hold it there to keep the note playing, and let it go to put an end to the note. Since of this manner of activating the string, these instruments produce a sound very similar to picking very close to the bridge on a normal guitar.
As a result the sound will have a larger amount of high frequency content, even when playingeven whilst playing the bass strings (for the reason that these specially designed instruments have both bass and guitar-like strings).
These touchstyle instruments also have long scale lengths, more akin to bass than to a guitar of standard design. This gives the best sound for both bass and melody strings, as opposed to using a shorter neck for both bass and guitar.
The next determinant of the you will think about is your amp and hill climb racing hack ios effects sound chain.
Considering first the Stick touchboard, because of the innate out of tune sound (to individuals with well developed ears) of all fretted, stringed tapping guitars, and due to the wide assortment of sound (due to possessing both bass and guitar-like strings), the danger of creating music out of tune may be present to a greater degree than when playing normal guitar.
One developed solution for this difficulty for every stringed, fretted instruments is the Buzz Feiten Intonation System. However, the Stick touchboard does not offer this original system as an option.
Consequently when adjusting your amp and effects chain for the Chapman Stick you may want to employ EQ and effects so as to decrease any observation of out of tune music. As an example, adding a small bit of chorus, distortion, or reverb with reflections. This can generate a very beautiful sound.
The Megatar tapping guitars though are all constructed with the Buzz Feiten Intonation System included, and as a result do not require special processing in that regard.
When using a microphone on any amplified guitar king of thieves cheat or bass, considerations of which is the best microphone to use and placement will arise. You might not obtain the top results using a dynamic mic such as the Shure SM57. You share this website might experience better results by means of a condenser microphone with a large diaphragm, and good bass response.
A good place to start with microphone placement could well be to place the mic a few inches from the speaker cone, and after that as you play the Chapman Stick or Mobius Megatar instrument, simply experiment with variations of the best placement. With any luck you can deduce the optimal placement to get that magnificent tone you want.
And therefore, the three main points when miking and making a recording of Chapman stick or Mobius Megatar two-handed touchstyle touchstyle instruments is to first think about the manner of play (touchstyle), and recognize there will be more high frequency content than with normal guitars or basses. Next, consider your sound chain and use EQ and your sound effects as desired to get a agreeable in-tune sound. Third, experiment with different microphone types and placements to find the most excellent capture of the sound you see in your mind’s eye.